An afternoon with Heather Angel by Irene Mendez Cruz

0
0
1
16
95
--
1
1
110
14.0
 
 

 

 
Normal
0




false
false
false

EN-US
JA
X-NONE

 
 
 
 
 
 
 
 
 
 


 
 
 
 
 
 
 
 
 
 
 


 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefP…

Heather Angel, freelance natural history photographer and founder of the Stock Image Library, Natural Visions

Legendary wildlife photographer, Heather Angel, at the age of 75 is a force of nature, exuding enthusiasm, passion and creativity towards photography. After almost 50 years in the industry, she is at the top of her versatile career and still juggles between being a prolific published writer, and a successful manager of both her own stock image library and photography workshop company. On top of that she is also an inspiring lecturer often sought by Universities, Photographic Clubs and Horticultural Societies across Britain and China, to share her knowledge and unique perspective of the natural world. I was lucky enough to meet her during one of her talks, down in Cornwall and spend an afternoon picking her brains, in her hometown of Farnham, where she shed light on the keys to her success.

Originally from a background of marine biology, Heather had no photographic training and learnt it by trial and error: “Of course you don’t suddenly become a freelance photographer. What changed my life overnight was when Martin, my husband, suggested that I should write a book”. She told him: “Well I’m not going to write one if nobody is going to publish it, that’s a complete waste of time”. And Martin replied “Well, they won’t publish it if you don’t write it”.  So she wrote a synopsis and never looked back. Fountain Press had faith in her and published in 1972 “Nature Photography: Its art and Techniques”. According to Heather, timing was crucial: “I did it absolutely at the right time. Believe it or not there was nothing in Britain on how to photograph wildlife. Suddenly, I was being asked by Amateur Photography and the British Journal Photographer to write for them”.

 “Pollination Power”, her latest publication, is now her 60th book and it aims at studying the relationship between plants and their natural pollinators, as well as their incredible variety, from bees to beetles, flies, moths, geckos, birds and even bats. “I’ve always had this fascination of the way in which plants and animals interact. I just felt that it would be so much fun to do and I’ve learned so much about a wide range of pollinators and how they’re not just bees.”

Contrary to what one might think, Heather is not always travelling and photographing across countries. When she is not working with the Botanical Kew Gardens, most of the time she is actually working from home either in her studio, in her own garden, or in her local churchyard. When talking about her future projects, she mentions another pollinator book more orientated towards the scientific community or the “eager beavers” as she calls them; a possible Macro Lighting manual and even an autobiography! Her advice to young photographers wanting to enter the industry is: “It’s going to take time, especially if you want to be original and do your own stuff. Being a freelance photographer is hard work. But if you like writing then that is a big way of making it. ”

Heather’s diverse and outstanding career path can be accredited to her ability to adapt and evolve with her time, as she did in the past when she transitioned from film to digital photography, and today, with her engagement and keen attitude towards social media.

Wildlife portraits by Irene Mendez Cruz

These photographs were taken during two field trips, one to a local owl sanctuary and another to the West country wildlife photography center. These trips provided unique opportunities to get up close to native mammals and a variety of owl species from around the world. I was also able to experiment different techniques such as portraiture, panning, macro photography and macro flash.

Ural Owl portrait (Strix uralensis). 2015. Digital. Nikon D810: 105mm - 1/400 - f/7,1 - ISO 100 

Jumping Red fox. (Vulpes vulpes) 2015. Digital. Nikon D810: 140mm - 1/100 - f/6,3 - ISO 100 

Harvest mice. (Micromys minutus) 2015. Digital.  Nikon D810: 105mm - 1/160 - f/4 - ISO 200 

Porthkerris by Irene Mendez Cruz

Here are a few of the underwater photographs I took at the amazing dive site of Porthkerris, in Cornwall, UK. 

Snakelocks anemone catching food (Anemonia Viridis). 2015. Digital. Panasonic DMC-GX1: 14 mm- f.125 – 1/8s - ISO 160

From the taxonomic group of the Cnidarians, Snakelocks anemones are quite common on the south and west coast of the UK. They are found from shallow water to lower shore down to no more than 20m. Its immediate habitat will determine the coloration of its tentacles: from dull grey in a poorly lit habitat to a rich green colour with saturated purple ends in a brightly lit and seaweed rich habitat. The specificity of the Snakelocks anemone is that not only it cannot retract its tentacles, but it also has around 200 fairly long ones, up to 20cm. Indeed, other types of anemones usually retract their tentacles in order to protect themselves from predation as well as desiccation in the intertidal zone when the tide is out. 

Spiny spider crab seeking shelter (Maja squinado). 2015. Digital. Panasonic DMC-GX1 : 37 mm- f/160 – 1/8s - ISO 160

The spiny spider crab is one of the largest crabs found in the UK. Its spiny and triangular carapace that can grow up to 10cm long and 8cm wide, is covered in seaweed and small invertebrates. The spiny spider crab plants them itself for camouflage purposes as it is the only type of crab that has long enough limbs to reach on top on its carapace. I believe that the strength of this image is the bright red to orange colours of its carapace against a dark background, which isolates the subjects, giving no space to distraction.

Common sea urchin (Echinus Esculentus). Panasonic DMC-GX1: 37 mm- f/160 – 1/8s - ISO 160

The globular common sea urchin can grow up to 17cm and has a typical pinkish to red coloration with violet spines. As all Echinoderms, the common sea urchin's round and impressive skeleton is radially symmetrical, as opposed to bilaterally symmetrical, which means that they don’t have a particular front or back end. Its body is covered in spines for protection purposes and it also possesses numerous long tube feet underneath its arms to help them anchoring or slowly moving location if the living conditions become too challenging.

The common sea urchin is a difficult subject to capture when it comes to animal behaviour as it is quite static. In order to make a more original shot, I decided to take my time with this subject and play with the lighting. I placed my strobes completely on the left side of my camera to illuminate my subject on just one side and create shades, from light on the left, to the darkness on the right.

 

Microscopy by Irene Mendez Cruz

Microscopy photography not only opens up a whole new world of artistic possibilities but it also gives access to new perspectives on the natural world. Here are some of my microscopy photographs taken with my digital Nikon D810 and either a normal or reflective microscope.  I personally collected the samples and most of the images are the result of a meticulous stacking technique.

Mite under Reflective Axio microscope. 2015. Digital. Stacking technique with a total of 80 images.

Bluebell's petal under microscope. 2015. Digital. Combination of a colour dyeing and Stacking technique with a total of 10 images.

Wild pheasant’s feather under the reflective microscope. 2015. Digital.

Iceland by Irene Mendez Cruz

I went to Iceland on a University Field trip on spring 2015. The aim of these intense 5 days was to capture the beauty of this mystical land, its mesmerising landscapes (on land or underwater) and its majestic legendary Geysers. 

Blue Lagoon. 2015. Digital. Nikon D810: 26mm - 1/25 - f.16 - ISO 64

Holy Geyser. 2015. Digital. Nikon D810: 17mm - 1/500 - f.9 - ISO 64

Underwater view of the North American and the Eurasian tectonic plates, Silfra. 2015. Digital. Go Pro Hero 3